A sparkling anthology of revolt and resistance to orthodoxy and repression. Across the ages and in every continent, people have struggled against those in power and raised their voices in protest—and this unrivalled compendium brings many of them together. From primitive communism in Ancient Greece and Persia, and the Hundred Schools of Thought in Ancient China, via the dissident poets and philosophers of Islam and Judaism, to Galileo, Spinoza, and Giordano Bruno in the Middle Ages, through to the makers of the Dutch and English revolutions in the sixteenth and seventeenth centuries, and then the activists and theorists of the French, American, Haitian, Russian, and Chinese revolutions: Olympe de Gouges, John Brown and Frederick Douglass, Toussaint L’Ouverture, Mandelstam, Lu Hsun, and many more. More recently, Eugene Debs, Joe Hill, the Chicago Martyrs, Bhagat Singh and Muntazer al-Zaidi have fought back against oppressive regimes. This anthology, global in scope, presents the voices of dissent through the ages: poems and songs, pamphlets and speeches, plays and manifestos. The Verso Book of Dissent will become an invaluable tool, reminding today’s citizens that these traditions will never die.
Carla Sonheim is an artist and creativity workshop instructor known for her fun and innovative projects and techniques designed to help adult students recover a more spontaneous, playful approach to creating. Her innovative ideas are now collected and elaborated on in this unique volume. Carla offers a year's worth of assignments, projects, ideas, and techniques that will introduce more creativity and nonsense into your art and life. Drawing Lab for Mixed-Media Artists offers readers a fun way to learn and gain expertise in drawing through experimentation and play. There is no right or wrong result, yet, the readers gain new skills and confidence, allowing them to take their work to a new level.
College costs are rising at twice the rate of inflation-and much of that increase is being financed by parents looting retirement accounts and students burdening themselves with debt loads that will change the course of their financial lives. It doesn't have to be that way. Armed with data, experience, and a stiff dose of rational analysis Zac Bissonnette explains why so much of the "wisdom" about choosing and financing college is not only wrong but dangerous. In this book, he explains:
Why the name on your child's diploma means less for his future than you think it does.
Why student loans are the next great consumer crisis in America-and how to avoid it.
Why the myth of "fit" won't lead your child to a superior college experience.
Why scholarships and financial aid won't alleviate spiraling college costs-and what will.
With a fresh approach to selecting, maximizing, and paying for college, Bissonnette gives parents practical, and often surprising, advice on how to help their kids get a champagne education on a beer budget.
Here's where simple techniques meet 100% natural soaps that please the eye, the nose, and the environment!
Made with the safe and simple melt-and-pour method, these projects feature a delicious range of eco-friendly and animal-free ingredients-from oatmeal and lavender to honeysuckle and clay. The ins-and-outs of soap bases, colorants, and essential oils all received detailed attention.
Soapmaking the Natural Way is an affordable, informative, and inspiring resource.
In "Earth Magic", Steven D. Farmer offers a unique synthesis of ancient spiritual practices and philosophies that have proven over millennia to help heal the spiritual causes of physical and emotional illnesses, augment personal power, enhance manifestation abilities, and encourage a balanced and harmonious relationship with our Earth. With these cards, you'll be able to connect with the key spirits in nature and harness their unique elemental power. Beautifully designed and expressed with a rare sensitivity, you will want to revisit these cards whenever you need guidance.
A deeply personal, deeply hilarious memoir from one of America's most Beloved Saturday Night Live comedians.
With his goofy smile, sleepy eyes, and stoner's laugh, Jim Breuer might not appear to be the most introspective comedian out there. The fact that he made his mark playing Goat Boy on Saturday Night Live and a recalcitrant toker in the stoner classic Half Baked doesn't help his reputation at all. But in I'm Not High, we meet a whole new Jim Breuer: the Jim who tours the country with his whole family in tow; the Jim who cares for his ailing eighty-five-year-old father; the Jim who considers himself a deeply spiritual person. I'm Not High reveals the complex man behind the simpleminded persona, bringing to life true stories from a career that has spanned two riotous (yet somehow semi-righteous) decades.
Jim dishes on everything from the SNL years to his early adventures in film. The cast of characters in I'm Not High includes Chris Farley, Dave Chapelle, and Tracy Morgan-who all taught Jim lasting lessons about the high-stakes game of fame. He also chronicles the constant role his family has played in keeping him honest. Whether he's arguing with his wife about religion (Is it okay to believe in God but not believe in church?), trying to take care of his kids, or helping his father get through the day with his dignity in tact, it's clear that some of his best material comes from his best moments as a son and a dad and a husband.
The unforgettable true story of a young man facing a ten-year prison sentence who was offered an impossible mission: coax a confession out of a fellow inmate, a serial killer, and be free to walk
Jimmy Keene grew up outside of Chicago and was destined for greatness on the football field. By the time he reached his twenties, he was rubbing shoulders with famous actors, porn stars, and the children of powerful politicians. But a few costly mistakes left him with a ten-year prison term and no chance of parole.
Less than a year into his sentence, Keene was approached by the prosecutor who put him behind bars. He had convicted another man, Larry Hall, for murder and was fighting his appeal. He offered Keene a deal: Enter one of the most dangerous prisons in the U.S., befriend Hall, and get him to confess to the murder of two young women and tell him where he buried the one whose body was still missing. If he succeeded, Keene would get an unconditional release. If he failed, he’d have no choice but to ride out his term. If he was found out, he could also be killed.
A story that gained national notoriety, this is Keene’s powerful tale of peril, violence, and redemption.
From the renowned authority on domestic violence, a startlingly original inquiry into the aftermath of wars and their impact on the least visible victims: women
In 2007, the International Rescue Committee, which brings relief to countries in the wake of war, wanted to understand what really happened to women in war zones. Answers came through the point and click of a digital camera. On behalf of the IRC, Ann Jones spent two years traveling through Africa, East Asia, and the Middle East, giving cameras to women who had no other means of telling the world what war had done to their lives.
The photography project—which moved from Liberia to Syria and points in between—quickly broadened to encompass the full consequences of modern warfare for the most vulnerable. Even after the definitive moments of military victory, women and children remain blighted by injury and displacement and are the most affected by the destruction of communities and social institutions. And along with peace often comes worsening violence against women, both domestic and sexual.
Dramatic and compelling, animated by the voices of brave and resourceful women, War Is Not Over When It's Over shines a powerful light on a phenomenon that has long been cast in shadow.
