Seamus Heaney’s new collection elicits continuities and solidarities, between husband and wife, child and parent, then and now, inside an intently remembered present—the stepping stones of the day, the weight and heft of what is passed from hand to hand, lifted and lowered. Human Chain also broaches larger questions of transmission, of lifelines to the inherited past. There are newly minted versions of anonymous early Irish lyrics, poems that stand at the crossroads of oral and written, and other “hermit songs” that weigh equally in their balance the craft of scribe and the poet’s early calling as scholar. A remarkable sequence entitled “Route 101” plots the descent into the underworld in the Aeneid against single moments in the arc of a life, from a 1950s childhood to the birth of a first grandchild. Other poems display a Virgilian pietas for the dead—friends, neighbors, family—that is yet wholly and movingly vernacular.
Human Chain also includes a poetic “herbal” adapted from the Breton poet Guillevic—lyrics as delicate as ferns, which puzzle briefly over the world of things and landscapes that exclude human speech, while affirming the interconnectedness of phenomena, as of a self-sufficiency in which we too are included.
Innovative poetry that conveys meaning, feeling, wit, and humor informs the cross section of poems in the 2010 edition of The Best American Poetry. The works collected here represent the wealth, the breadth, and the tremendous energy of poetry in the United States today. Featuring poems from some of our country’s top bards, including John Ashbery, Anne Carson, Louise Glück, Sharon Olds, and Charles Simic, The Best American Poetry 2010 also presents poems that poignantly capture the current moment, such as the sonnets John Updike wrote to chronicle his dying weeks. And there are exciting poems from a constellation of rising stars: Bob Hicok, Terrance Hayes, Denise Duhamel, Dean Young, and Elaine Equi, to name a very few.
In early June 1943, James Eric Swift, a pilot with the 83rd Squadron of the Royal Air Force, boarded his Lancaster bomber for a night raid on Münster and disappeared.
Widespread aerial bombardment was to the Second World War what the trenches were to the First: a shocking and new form of warfare, wretched and unexpected, and carried out at a terrible scale of loss. Just as the trenches produced the most remarkable poetry of the First World War, so too did the bombing campaigns foster a haunting set of poems during the Second.
In researching the life of his grandfather, Daniel Swift became engrossed with the connections between air war and poetry. Ostensibly a narrative of the author’s search for his lost grandfather through military and civilian archives and in interviews conducted in the Netherlands, Germany, and England, Bomber County is also an examination of the relationship between the bombing campaigns of World War II and poetry, an investigation into the experience of bombing and being bombed, and a powerful reckoning with the morals and literature of a vanished moment.
The romantic lyricism of the great Persian poet Hafiz (1315-1390) continues to be admired around the world. Recent exploration of that lyricism by Iranian scholars has revealed that, in addition to his masterful use of poetic devices, Hafiz's verse is deeply steeped in the philosophy and symbolism of Persian love mysticism. This innovative volume discusses the aesthetic theories and mystical philosophy of the classical Persian love-lyric (ghazal) as particularly exemplified by Hafiz (who, along with Rumi and Sa'di, is Persia's most celebrated poet). For the first time in western literature, Hafiz's rhetoric of romance is situated within the broader context of what scholars refer to as "Love Theory" in Arabic and Persian poetry in particular and Islamic literature more generally. Contributors from both the West and Iran conduct a major investigation of the love lyrics of Hafiz and of what they signified to that high culture and civilization which was devoted to the School of Love in medieval Persia. The volume will have strong appeal to scholars of the Middle East, medieval Islamic literature, and the history and culture of Iran.
Zoroaster was one of the greatest and most radical religious reformers in the history of the world. The faith that he founded some 2600 years ago in a remote region of central Asia flourished to become the bedrock of a great empire as well as its official religion. Zoroastrianism is still practised today in parts of India and Iran and in smaller communities elsewhere, where its adherents are known as Parsis. It has the distinction of being one of the most ancient religions in the world: only Hinduism can lay claim to greater antiquity. The foundation texts of this venerable system of belief are the founder's own passionate poems, known as the Gathas ('Songs'), and a short ritual composed soon after his death, called the "Liturgy in Seven Chapters". These hymns are the authentic utterances of a religious leader whose thought was way ahead of his time, and are among the most precious relics of human civilization. After so many millennia they continue to speak to us of an impressively austere theology and of an inspiring and easily understood moral code. Yet existing translations are few, divergent in their interpretations of the original Avestan language of Zoroaster, and frequently hard to access. M.L. West's new translation, based on the best modern scholarship, and augmented by a substantial introduction and notes, makes these powerfully resonant texts available to a wide audience in clear and accessible form.
